perlocutionary: haechan shooting a futuristic gun from hello future mv (hello future haechan)
as i said on twitter, i always thought Mark Lee, idol extraordinaire, beloved leader, shining gem of nct (u, 127, dream) would be leaving sm in a bodybag and smack dab in his 30s. so opening twitter at 5am not to tragic news but that of him unceremoniously leaving nct and sm, i was more in shock than anything resembling despair, grief, mourning.

then i spent all day at work with nothing to do but think about this, then i spend all weekend listening to old songs and watching 2021 dream content…… reader, i gained thoughts.

so this is a rant, an in memoriam for the mark lee i knew

MARK, April 2016–April 2026

Natural causes

what makes the perfect idol? skills? visuals? personality? variety talent? i think mark had most of these things, but those things don’t make an idol. an idol is a product for a company to make outrageously unethical, and unethically outrageous money. i believed mark’s prodigious charisma, outstanding rap and dance skills, naive charm, longsuffering dynamic with his members made him extremely marketable for sm, but what made him truly an admirable trainee and perfect idol was his undying ability to endure and seek out overwork.

trainee systems are abuse. they put mostly teens into an unforgiving schedule built on sleep deprivation. in fact, i would trainees get punished for even trying to stay in school by the fact that they cannot stay awake during school hours, they cannot go do any extracurricular activities, they cannot participate in the crucial transitional stage of high school. middle school too, if they are lucky. most teens rebel against that; they don’t want to practice too late, they want to sneak out and have a big meal, sleep in and play games.

(dream always talk about how they were sheltered by the trainers but that’s basically the equivalent of counting your lucky stars when you get hit three times instead of ten. fun childhood trainee stories about throwing away your ice cream because you got caught are actually not that fun.)

and mark, the perfect trainee? always last one out of the practice room, never caught slacking, legendary role model for all trainees. it always frustrated me when they talked about haechan distracting mark from training and wanting to slack off because that is normal. rest is good, rest is productive. and you’re damn right it pissed me off that mark taught haechan to work hard, because that is NOT the right lesson! “working hard” in kpop speak means destroying your body and mind to satisfy the company. his loyalty to the “dream” and to sm was what made him stand out, and sm didn’t even have to break his mind into it. no, they just reinforced it again and again.

and what makes the perfect boy group? men in south korea are bound by enlistment, and in a fast-paced capitalistic world that automatically means idols and boy groups are bound by youth. (not that it’s different for girl groups, but the reasoning is tried and true misogyny) a good product has a long shelf life, so kpop companies start young and market youth. sm is a true master of youthful debuts, starting from h.o.t. and ending with nct wish. look at these teenagers, they are so rebellious and innocent! they are so cute and prepubescent! predators look HERE documented pedo min heejin come manage a comeback with an mv about crushing on your high school teacher but you look like you’re in primary school!

(i am simplifying a lot of things because you could talk endlessly about youth and kpop but i put my faith in a shared knowledge base)

enter, sm’s magnum opus in exploiting youth, something so beautiful because it is so short and because it ends: nct dream. a boy group to end all boys groups, one comprised of only teenagers because you graduate when you turn 20. every comeback is about shining youth and potential, every comeback is a nostalgia trip, every comeback is jam packed with the melancholy of loss. they pursue the mystery of “growing up,” but nct dream would never ever grow up.

in sm’s plan with the graduating lineup, this would never end. an endless roster of heartbreaking teens entering adulthood, losing and loving with fierce, captivating immaturity. mark left in 2018 because he was too old for youthful dream. half of 00z were going to become lose their jobs at 20, and chenle and jisung would have had to chug along with these scars, knowing they, too, would become useless soon.

but it worked too well. dream had the perfect narrative, fans got too invested.

cue april 2020, new plan, old group. better plan, the metanarrative now is even more tragic.

because dream can’t grow up. every comeback is still about new beginnings, naive teenagerdom slightly modified to young new adulthood. nostalgia bait and looking back is still the brand, because it keeps everyone emotional and fans buying. dream are so happy now because they used to be in so much pain, please look at their youth, please keep getting retraumatized, please never stop reliving these years.

and it just hurts in the best way, that dream will never grow up. youth and its ephemerality was the selling point, but now it is youth and its permanence. the trauma sm idolhood caused will keep them stunted forever; they will never become adults because they never got to be children. jisung will always be the youngest little boy on earth. fans will always fight for these kids’ wellbeing because they sure can’t fight back against sm. isn’t that reassuring? isn’t that so fucking sad?

mark certainly thought so.

i admit to thinking this would never go anywhere when he released this song, because certainly this was just another masterplay for sm, to capitalize on the very wounds they inflicted. perfect idol mark would gain sentience for little while and fall right back in line, because that’s what he had always done and that’s what he will always do.

it is my greatest pleasure that mark has exceeded my expectations.

i will thank mark for leading this charge too, because i do believe this is actually, for real the start of something new. nct dream have always dreaded change because it was deliberately made miserable for them. their feelings of unease and grief were documented as content for the masses. although i know mark and the dreamies wanted to let us know and give us a proper farewell, i am heartened that they got their own time to talk, process, mourn in private.

as mark takes the step to leave his childhood behind and protect his present, my fervent hope is that this will help heal some of dream’s trauma. because this loss is not a hopeless, tragic event. mark growing up and leaving dream is not inherently bad, but sm had made sure it hurt everyone involved the first time. this time, however……

people change, people grow up, adults are not the same as they were in childhood. i haven’t paid nearly as much attention in the last few years because the nostalgia machine got too stale, too upsetting for me. and in that time, mark became a different person. i don’t know him, he is no longer idol extraordinaire, beloved leader, shining gem of nct Mark Lee.

he’s grown up now.

perlocutionary: haechan shooting a futuristic gun from hello future mv (90s love)

so the basic answer is yes



however i am never satisfied with being basic when i can do an unnecessary linguistic analysis so it is only right i investigate this with science.

so in phonetics i learned how to read something special called spectrograms! according to wikipedia,

a spectrogram is a visual representation of the spectrum of frequencies of a signal as it varies with time.


since each phoneme (sound), by literal definition, has different sound frequencies, you can tell different sounds apart and identify them by reading a spectrogram of say, someone rapping them.

i am here to prove that "swear to god girl you know you got that wap" is the truth and not "swear to god girl you know you got that walk” and i will do so by taking you on a spectrogram journey. i WILL assume from the start that wap is the correct answer and not walk because i’m unscientific like that.

my source clip is this right here and i am using the free linguistic software praat for my analysis.

this is what a spectrogram looks like.


spectrogram


the upper part should look p familiar as it indicates intensity of the sound waves. you can use it to help figure out where the word or syllabic or phonemic boundaries are.

phoneme: perceptually distinct units of sound. in this case w, a, and p all represent sounds which are conveniently labelled w, a, and p


however, it’s the lower part that’s most important in this analysis, as it indicates the frequencies of the sound waves, which is what allows us to identify the specific sounds.

this spectrogram actually shows mark rapping the word wap, so there should be three distinct parts of the spectrogram, w, a, and p. the first thing to do is look out for phonemic boundaries and separate the sounds or phonemes! pls look to the lower part... any abrupt changes are phonemic boundaries so like it’s pretty intuitive... i think the boundary between w and a is pretty obvious but the one between a and p is more ambiguous. like oh it’s just a wall of noise but here you can look to the upper part for guidance... p (or k in “walk”... no one thinks mark is pronouncing walk here with the l right? right) is a voiceless stop so it should be quieter and ta-da.... there’s a part where the sound waves get less intense and then change... and then you look down and see wow actually the incomprehensible shaded part also changes a bit as well... that’s the syllable boundary.



spectrogram indicating individual phonemes



as you can see. now that we’ve done that we only need to read the third part and figure out whether that sound is a p or a k! (as is indicated... it’s a p).

so what we need is FORMANTS... which are the parts that are extra dark in the spectrogram...

formants are bands of acoustic energy around certain frequencies.


we make sound by the air that passes through our vocal tract (oral cavity, nasal cavity, pharynx, larynx). we make different sounds with articulators such as the upper and low lip, upper and lower teeth, alveolar ridge, soft palate, velum, uvula, tongue etc etc. the upper lip, upper teeth, alveolar ridge, soft palate, velum, uvula etc are passive articulators, which mean they do not move, while the lower lip, lower teeth, tongue etc are active articulators which move towards or away from the passive articulators to create different blockages in the vocal tract. these blockages or obstructions affect the shape of the vocal tract through which air passes, changing the resonant frequencies of each sound. the acoustic energy of each sound is amplified at these resonant frequencies, creating formants. therefore, by looking at the concentrations of sound waves of each sound called formants, we can determine the shape of the vocal tract, which is the position of the articulators, which is the specific phoneme spoken

note: you can determine phonemes by things other than the formants, such as voicing (whether the vocal folds vibrate or not) and length of the sound, but in this case, the formants are the most crucial


you can vaguely tell where the formants are, but luckily praat has a function to show the formants and lets us have an easier time.



spectrogram with formants



they appear as the alternating orange and yellow lines. the first formant is the lowest one, the second is the second lowest, and so on. generally, you only need the first three formants to determine a sound.

note: the blue line does not matter. it indicate pitch and implicitly voicing, but things are extremely fucked from the background track and it doesn’t matter either way.

now, p and k are both voiceless stops (vocal folds do not vibrate, complete obstruction of the airway creating a “stop”) which makes them extremely similar! p is a bilabial stop, created by putting the upper and lower lip together, while k is a velar stop, created by touching the back of the tongue to the velum. since the biggest difference between them is the shape of the vocal tract, the crucial difference is in the formant transition from the vowel to the consonant.

i didn’t learn how to determine the formants of the consonants, although i did learn that of vowels. if you find charts or graphs of formant frequencies concerning vowels, do not conflate that with consonants!

basically, for all stops, the first formant (F1) decreases approaching the stop. the second and third formants are the most important in differentiating the stops. for p, F2 and F3 also decrease as the vowel approaches the stop. for k, F2 increases while F3 decreases, creating a shape like a pinch (it’s called a velar pinch).

note that voiced stops work the same here regarding formants.

now take a look at how the formants behave in the spectrogram.



spectrogram with formant transition into p



F1, F2, and F3 all decrease as they approach the relevant border. the phoneme they are transitioning into is, without a doubt, p. mark raps “girl, you know you got that wap.”

bonus evidence

what’s really really fun about this line is even if you disregard How Formants Should Behave In Theory, all you need to do is compare the sound directly next to “wap”. the next line in mark’s verse is “발을 같이 딛고 pivot,” and it just so happens that 발 'pal' also contains that same p sound.

note: the a in 발 and the a in wap are actually different. there is flexibility in the IPA, and all you need to know is sometimes people (me) are too lazy to use an IPA latter that i can’t type in my english keyboard. it doesn’t matter but yeah

looking at what we know for a fact is a p sound gives us a direct example of how the formant transition into a p looks like in practice. since 발 starts with the p instead of ending with it, the formant transition is reversed, or mirrored. F1, F2 and F3 should increase with time.



spectrogram with formants



see if you can figure out yourself where the phonemic boundaries are and where the formant transitions are.



spectrogram with sounds indicated



here are the phonemic boundaries.



spectrogram with formant transitions shown



here are the formant transitions. they are, in fact, mirrored, demonstrating once again that mark did rap “wap”.



thank you for your time.

more info on the international phonetic alphabet, the universal system for talking about phonemes in languages

linguists invented an standardized alphabet for talking about phonemes, since orthography changes drastically within and between languages. within, say, english, one letter can signify multiple phonemes (see “t” in cat and then “t” in turn and then “t” in bitter) and different letters can signify the same phoneme (see “j” and “dg” in judge) and multiple letters can signify one phoneme (see “dg” again in judge... is one sound innit). i need not elaborate about difficulties between languages.

the ipa is extremely useful to this day, but it is problematic in that it is obviously based on latin script and its structure lends much better to languages without tones, for example... english... and french... yknow... loll



image of the full ipa chart



from here. this is the full IPA chart listing out all the symbols and diacritics for talking about sound. here are more resources on the ipa and this is a particularly useful tool where you can click on the sounds on the chart and listen to voice recordings of them.




intro

13/5/21 22:10
perlocutionary: haechan shooting a futuristic gun from hello future mv (Default)

[ˌɪntɹouˈdʌkʃən]


perlocutionary [ˌpɹ̩louˈkjuʃəˌnəɹi]
in a speech act, one utters a sentence and performs an act in that utterance, such as saying "nahyuck is real" as an assertion that nahyuck is real. a perlocutionary act, then, is the actual event that follows in result, such as the masses being convinced of the fact that nahyuck is real.

hi! my name is leaf :D any pronouns. starting this for elaborate nahyuck shitposts^ but we shall see.

my twitter. i'll link my ao3 when i have more than one proper fic posted lmao

style: tennis court for tenipuri

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perlocutionary: haechan shooting a futuristic gun from hello future mv (Default)
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